Barnicott Has Done More Than 50 Pittsburgh-Area Paintings

Monroeville Times Express, March 11, 2010
by Jonathan Weaver

Pittsburgh “Painter of Memories” Linda Barnicott has seen her fair share of the city and has boxes of photographs, many of which she has transformed into paintings that hang on family members’ and friends’ walls, to prove it. Photos from different places, months and angles all have found their way to her brush.

Linda, 51, of Monroeville, began sketching portraits of teachers in second grade and moved onto others from there. Though classmates knew her as only the shy, quiet girl, Linda drew classmates and teachers constantly during elementary, junior high and high school. Her first portrait sold her senior year, when she sketched a portrait of a friend’s girlfriend for $2. Now, Linda paints Pittsburgh, and this week, she is displaying her work at the Duquesne Light Home & Garden Show at the David L. Lawrence Convention Center, Downtown.

With more than 50 Pittsburgh-related paintings completed and thousands of prints sold, Barnicott said she cherishes one the most and will not let the original sell: “Coasting Through Kennywood.” After painting it in 1997, Linda was preparing to sell the original but called off the sale after remembering all the internal aspects that mean so much to her. It depicts friends from New Jersey; a boat with the number 22 on it, which stands for her husband’s employee number when he was a shoe salesman when they met in 1975; and the location where the couple almost got engaged in 1977. “That painting just has so many meanings for me that I just couldn’t sell it,” Linda said. “So, I get to keep that one.” Only prints and note cards of the painting are available.

Linda always puts her family in her paintings – her husband, the Rev. Tom Barnicott, 53; and daughters Brittany, now 23, and Alyssa, now 18. The artist said she incorporated Tom into paintings from the start and painted her daughters starting with the “Romance of Kennywood” series. While Linda was signing at a gallery and developing her third Pittsburgh painting, ‘Wishing Under the Horne’s Tree,’ in 1990, fans kept asking where Tom would appear next. She hadn’t realized fans were tracking him. After telling Tom that evening, he rushed upstairs to put on a raincoat so he could pose for that painting, just one show of support Linda said he has shown. “He is a huge reason why I am successful today because, besides carrying all the artwork from show to show, he has turned out to be a good art critic for me,” Linda Barnicott said. “He keeps me honest.”

The couple met at an orchestra concert for students from different high schools at Bethel Park High School in 1975. Linda Barnicott was a violinist from Bensalem High School, northeast of Philadelphia. After the concert, they went out for ice cream but didn’t speak again until Tom called Linda in 1977. Two months and three dates later, the couple got engaged. Tom and Linda will celebrate their 30th wedding anniversary in October.

“Linda, who said art has been passed through generations on her side of the family, now is passing that appreciation through her daughters, as well. Younger daughter Alyssa, now a freshman at West Virginia Wesleyan College, took after her mother at a young age and dabbled with Linda’s paints, just as Linda had done with her father’s paints in second grade. Linda remembers Alyssa painting leaves or snowflakes and excitedly saying she was part of the artwork. “After she would paint her little dot, (Alyssa) would say, ‘Look, now I did a little for the painting too,’ Linda said.

Tom, the senior pastor at Monroeville United Methodist Church, remembers posing in the family living room to be incorporated in Linda’s paintings or walking with his daughters at Kennywood Park. He laughs when watching fans look for him in his wife’s work, but he knows that is part of Linda’s cityscape tradition and authenticity. “It is like Pittsburgh’s version of ‘Where’s Waldo?'” Tom said. “Every painting is a family reunion.”

Tom first posed as if hanging up a wreath in Linda’s 1989 painting “Meet Me Under Kaufmann’s Clock,” her first. After prints of that painting sold out in 1991, Linda drew another representation in “Meet Me Under Kaufmann’s Clock, Too!” and then another in 2002 for the American Cancer Society, titled “Waiting for You Under Kaufmann’s Clock.” Prints of the 1991 and 2002 representations also sold out. “Talk about the heart of Pittsburgh,” Linda said, referring to residents’ passionate memories of the city landmark.

Besides being incorporated into paintings, Linda’s family also inspired her to work on some other pieces, including her representation of the Pittsburgh Pirates’ Hall-of-Fame second baseman, Bill Mazeroski. While Tom said he loves many of his wife’s paintings, one of his favorites is Linda’s 2004 work “Mazeroski’s Magical Moment.” Unveiled at that year’s Home & Garden Show, Tom sat with his boyhood idol in person, and the two talked as the second baseman autographed more than 1,000 prints. Tom persuaded Linda to paint Mazeroski and Pirate Roberto Clemente. Knowing she was not a sports fan, Tom said, he told Linda to do the Mazeroski painting as a representation of how his home run made Pittsburghers feel, not as a sports figure.

Linda will be at the Home & Garden Show through Sunday. While Linda is at the show, Tom will try to take afternoons off at the church to help her with the booth. Besides answering questions about her cityscapes, Tom said, he will listen to many painting ideas. Linda said she is grateful to fans – who have become friends – who regularly come to the show to look at her paintings and talk. “It’s been a fantastic show for me,” Linda said. “I have met some wonderful people over the years. They really are like old friends.” Linda plans to paint cityscapes of Duquesne University, the Pittsburgh Zoo & PPG Aquarium, and Phipps Conservatory next, but she is anticipating suggestions from fans who visit her at the home show.

Even though most of her work no longer is in black and white, Tom said, he is encouraging Linda to sketch portraits of Pittsburgh icons; granted, many of his ideas include sports figures, such as Penguin Sidney Crosby or Steeler Hines Ward. “If cityscapes touch you, wait till you see what she does with a face,” Tom said.

At the Home & Garden Show
Linda Barnicott is in Booth 3146 during the remainder of the Duquesne Light Home & Garden Show at the David L. Lawrence Convention Center, 1000 Fort Duquesne Blvd., Pittsburgh. At the show, she will be selling limited-edition prints and art collectibles. The show runs 4 to 10 p.m. today, Thursday; 10 a.m. to 10 p.m. Friday and Saturday; and 10 a.m. to 6 p.m. Sunday. Admission is $10 for adults and $4 for children ages 6 to 12. Younger children are admitted free. Fans unable to make it to the show or who want to follow up on her work can visit online at her Web site, www.LindaBarnicott.com, or call 888-748-8278.

Linda Barnicott
Capturing Moments and Making Memories

Art Calendar Magazine, March, 2008 Edition
by Kim Hall

Several years ago, my grandmother, who lives just outside of Pittsburgh, Pennsylvania, where I grew up, sent me a newspaper clipping about a local artist who was making a name for herself by creating charming pastel chalk portraits of iconic locales throughout the city. What struck me about the work was that nearly every piece jogged a special memory for me. It wasn’t just the places the artist based her images on. It was the feelings she was able to capture about those places.

Though her originals sell for between $6,500 and $8,500 each today, her reproductions and collectibles are owned by thousands of Pittsburgh-area residents and visitors alike. Rich colors, pleasant nostalgia and a generally happy feeling exude from each work. But it’s the sincerity of this award-winning, self-published entrepeneur/artist, her desire to resurrect and preserve memories for the thousands of people who know and love the Pittsburgh area so well, that makes Linda Barnicott so special, both as an artist and a businesswoman.

Just moments after I called Pittsburgh artist Linda Barnicott to see if she’d like to be featured in Art Calendar this month, she chimed in with the loveliest opening comment I’d ever heard in an artist interview: “I’m having so much fun!”

It doesn’t take long to realize that Barnicott is having fun, with her art and her business. The wife of a pastor and mother of two girls, she loves people, and that’s who she creates her work for.

A portrait artist by trade, Barnicott’s first official Pittsburgh-focused piece was “Meet Me Under Kaufmann’s Clock”, done in 1989. Any Pittsburgher can tell you that Kaufmann’s Clock is a well-known landmark on the corner of a busy shopping district downtown.

“After I did the painting, I was invited to sign at a gallery, and this big tall guy comes in — a lawyer — and says he has to get this painting. His mom had passed away, and he told me that when he was old enough, his mother brought him downtown and said, ‘You can walk around all by yourself, but meet me back here under Kaufmann’s Clock at 1 o’clock,’” she says, remembering how the lawyer’s eyes welled with tears as he told the story. “Painting city scenes is like creating portraits for people. What I loved about doing portraits was that personal connection. And I made a personal connection with this lawyer because it created a special memory of his mom. I never drew a building before that point. But it actually started my career.”

With the mentoring of a neighbor artist, who helped her understand perspective drawing, Barnicott began to create more images of the city. She wasn’t a native of Pittsburgh, having moved there when she married her husband, Tom. So her initial images were of the places she remembered most, places she’d been with her Tom, who is, interestingly, a staple figure in each of her works.

In fact, nearly all of the figures Linda features in her paintings are based on real people. One painting, called “Kennywood’s King of Coasters”, a piece from a series of works based on the popular century-old amusement park in Pittsburgh, features more than 50 friends and family members, as well as Kennywood employees, such as security guard Larry Ross. An intimidating figure at first glance, Ross approached Barnicott with folded arms and a stern look while she was exhibiting at the Kennywood Victorian Festival. He asked, ”Why don’t you have any security guards in your paintings?” She replied quietly, “Would you like to be?” So Barnicott put him in one. While you may not know his name, if you’ve gone to Kennywood, it’s likely you’ve seen Larry Ross on one of your visits. That simple act creates a real connection to Barnicott’s piece.

“That was a sold out edition before I sat down to paint it,” Barnicott says. “The picture I did of the carousel was another great experience. I loaded the carousel with all of our friends and took pictures. It started a whole transformation in how I did my painting. From that point on, they were real people doing real things.”

Since Kennywood is a privately owned company, Barnicott did have to ask permission to create images of the park, but Kennywood has embraced her, inviting her to show her work at their Grand Victorian Festival each year and carrying her work in their gift stores. “Kennywood has been very, very kind in letting me do this,” she says.

Barnicott’s favorite Kennywood painting is “Coasting Through Kennywood”, as it captures some very personal memories for her. “My husband and my girls are in the foreground and on the right side of that work, and Tom just about proposed to me in that spot,” she says. “A lot of things in the painting mean a lot to me. Kennywood was my first official Pittsburgh date. As we were traveling to the park, Tom pretended he got lost on his way to Kennywood. After I asked if he should stop for directions, he turned the bend and there was a huge Kennywood sign across the street. I was always fond of Kennywood because of that.”

With thousands of other people fond of Kennywood, as well as so many of the other places Barnicott has captured, it’s no wonder that she has such a following of collectors, from those who purchase her giftware, such as magnets and ornaments, to those who purchase the limited edition reproductions. Rather than lithographs, the new reproductions are giclêes, featuring archival paper and archival ink, capturing the texture of Barnicott’s pastels. While her reproduction runs are higher than most limited editions, numbering between 500 and 1,000 each, Barnicott thought it was important to give more people an opportunity to own her work at an affordable price. Sometimes, her editions sell out before she sells the original.

“When I would paint portraits, the paintings always left the house, and I would never see it again,” she says. “It’s benefiting one person, one family at a time. When I did “Meet Me Under Kaufmann’s Clock”, I realized I could affect thousands of families. And so, the limited edition reproductions were a wonderful way to do that.”

Today, Barnicott sells her work through a number of galleries and gift shops throughout Pittsburgh, and on her Web site, but says many of her best sales come from the annual Pittsburgh Home and Garden Show, where she will be selling and signing March 7 through 16. “I’m there all 10 days. I bring a gold pen with me, and I sign things for people. And people always seem to like that,” she says. “I love meeting people and talking to people.

It’s funny because when I was 26 I decided to make art a career. I think I tried selling Avon. I know I tried selling Amway. I couldn’t sell anything. I felt very uncomfortable selling, but when I started doing my artwork, I was comfortable because your art is so much a part of you. When I sell, I can help others with ideas on how to use the work. A lot of time people have visitors coming in from out of town, and I tell them, ‘You can give this as a gift.’ I have to say one of the neatest things for me is a lot of times people will send me thank you notes. People may have bought a work elsewhere, from a gallery or received it from a friend. But I’ve saved every thank you note I’ve ever received. It’s just meant so much to me to know I’m doing something to make people happy. My husband is doing ministry in a wonderful, wonderful way. It kind of feels like I’m doing ministry, too.”

Each year, Linda Barnicott donates one image for holiday cards for the American Cancer Society, and has helped them raise more than $500,000 for cancer research through card sales. Last year, she won one of just two Forbes Enterprise Awards for artist entrepreneurs living in the Pennsylvania, New York or New Jersey areas for her self-publishing business.

For more information about Linda Barnicott’s work, visit www.LindaBarnicott.com, call 1-888-PITT-ART , or visit her booth (#3146) March 7 through 16 at the Pittsburgh Home and Garden Show.

Cancer Society Card Portrays Recent Tradition
This Year’s Holiday Greeting Features Skaters at PPG Place

Pittsburgh Tribune-Review, September 13, 2003
George Aspiotes

Grant Street got its first taste of the holiday season Friday as officials from the American Cancer Society joined with local artist Linda Barnicott to unveil the organizations 2003 greeting card.

The card titled “Skating Together at PPG Place,” shows a wintertime scene of people ice skating in PPG Plaza, Downtown. It is the sixth piece that Barnicott has painted for the society’s holiday fund-raiser

” I just feel so blessed, and this is a way for me to give back some of the blessings I have,” she said. “This has been such a good thing.”

Originally a portrait artist. Barnicott became interested in painting Pittsburgh scenes after she saw the nostalgic effect that her first painting, “Meet Me Under Kaufmann’s Clock,” had on people.
“Portraits were such a personal gift,” she said “But with the Pittsburgh scenes, I’ve found that I was touching a lot of people the way I did with portraits.”

Barnicott chose this year’s scene because she felt that ice skating conveyed that same wholesome and nostalgic feeling. The painting of “Skating Together at PPG Place” was purchased by a couple who said it reminded them of the times they had taken their granddaughter skating.

“Skating gives families a chance to come into Pittsburgh and come together,” Barnicott said of the fairly recent winter attraction at PPG Place. “It’s one of these feel-good things.”

The American Cancer Society has earned more than $190,000 selling Barnicott’s previous five holiday cards. This year, the organization printed 62,500 cards, which sell for $23 for a box of $25. Barnicott estimated yesterday that 10,000 cards already have been sold. “The impact that (Barnicott’s work) has on our organization is tremendous,” said Sharon Malazich, an income development specialist for the American Cancer Society. “It’s a great project for our organization.”

Barnicott’s past efforts for the society have included holiday pictures of Grant Street, Station Square and a view of Pittsburgh from Mt. Washington. She said she has her idea for next year’s card, but is not ready to share it yet.

For information on ordering this year’s holiday cards, contact the American Cancer Society at (412)-919-1100. All proceeds benefit the Southwest Region of the American Cancer Society’s Pennsylvania Division.

Capturing Pittsburgh
Philadelphia Native Makes Name for Herself Painting ‘Burg Things

Pittsburgh Business Times, July 18, 2003
Andrea Zrimsak

Few artists capture the nostalgic beauty of Pittsburgh as well as Linda Barnicott. This Philadelphia native and Green Tree resident touches people’s hearts and memories with her famous Pittsburgh scenes including “Game Day at Pitt Stadium,” “Holiday Season on Grant Street,” “The Grandview of Pittsburgh” and “The Glory of Heinz Chapel,” the first in her new “Autumn in Oakland” series.

Her first painting, “Meet Me Under the Kaufmann’s Clock,” has become so popular she recently completed two more original paintings of the same location entitled “Waiting for You Under Kaufmann’s Clock” and “Meet Me Under the Kaufmann’s Clock, Too!”

Ms. Barnicott’s timeless art has been featured on the American Cancer Society holiday notecards since 1998. Each year the cards sell out long before Christmas, raising thousands for cancer research. She is working on a series of Kennywood paintings and recently unveiled the newest piece, “Celebrating Kennywood’s Fall Fantasy.”

Capturing memories of Kennywood is easy for Ms. Barnicott because the amusement park was the setting of her first date with her new husband. Ms. Barnicott began her art career in second grade, drawing portraits of teachers and fellow students for $2 each. She eventually began doing portrait work for a framing gallery in Greensburg. At that time, her neighbor, a graphic artist, began teaching her perspective, a skill that enabled her to expand her art from portraits to landscapes.

It was the gallery owner who asked her to create a painting featuring a trolley stop in downtown Pittsburgh. That request led Ms. Barnicott to paint the now famous scene under the Kaufmann’s Clock, which once served as a bus stop.

Ms. Barnicott spends up to one year completing each original painting. She begins with photos and uses them to make a pencil sketch that is filled in with hundreds of shades of soft pastels. When she needs people in the painting she often has family and friends strike the need pose. Her husband appears in every one of her paintings and her daughters have begun accompanying their dad. If needed, Ms. Barnicott will even paint herself into her work.

A few of Ms. Barnicott’s orignial paintings are still available for around $7,000 each. She also sells artist-enhanced giclee prints for around $400. A giclee is a limited edition print digitally reproduced then hand enhanced with pastels to resemble an original painting.

Signed and numbered prints of each original are available for around $125. Ms. Barnicott offers a remarque for an additional $75. This technique allows her to personalize a piece by drawing a portion of the image onto the border of the print in gold ink.

If you’re looking for a less expensive way to reminisce, consider a box of 10 mixed notecards for $20 of a Kennywood poster for $25. Mugs are available for $14.95 and eight different magnets for $3 each.

Ms. Barnicott’s art is available at 55 local galleries and on her Web site at www.lindabarnicott.com. The site also features a complete gallery of her work.

Her Artworks Help Others Reminisce

Pittsburgh Post-Gazette, January 30, 2002
Virginia Peden, freelance writer

Linda Barnicott of Green Tree, long admired for her Pittsburgh landmark paintings, has pleased Pitt alumni and fans with her latest, “Game Day at Pitt Stadium,” the first of a new series titled “Autumn in Oakland”.She usually has a story to tell about her pastel renditions, and so it goes with her stadium drawing. She thought right after is was announced Pitt Stadium would be razed that there would be a lot of pictures of Three Rivers Stadium, but none of Pitt Stadium. Andrea Paganie of Ambridge suggested, during a visit to Barnicott’s booth at the Home & Garden Show, that she could catch the anticipation of all the games.

“My family, and nine other people, posed for a picture to use as models in the painting,” Barnicott said. “They were waving and cheering and it was snowing. There they were by the big hole where the stadium used to be. She photographed the Pittsburgh Panther Band another time and the leader Jack R. Anderson, supplied her with photos he had, as well as a uniform to copy.

Barnicott has the talent to bring life to her scenes. Looking at the left corner of the painting you can almost hear the band playing. “Lots of other people helped by sending photos,” she said. “I finished the painting in October and the phone didn’t stop ringing for two months.” That included Christmas calls for the cards she does for the American Cancer Society, her Kennywood print series and other Downtown landmark prints.

Don De Blasio’s Restaurant in Virginia Manor Shopping Center is a client and fan who owns several of Barnicott’s paintings. The stadium rendering particularly drew his interest, because he has been a spotter for Bill Hillgrove at the Panthers games since 1978. “I have a small print and a large one,” he said. “I believe Linda has great talent and her personality comes out in her paintings.”

Barnicott has a limited edition of the Pitt Stadium painting in a new Giclée process done with pigmented archival paper that is supposed to last 200 years. “It’s not only a print, but is enhanced by me,” she said. “It has the essence of an original pastel. There are 150 of this edition and they sell for $400 apiece. The original painting is $7,000.” She also has 900 of the signed, numbered edition, 100 of the artist proof edition, and note cards.

Her paintings are in 55 Western Pennsylvania and Ohio galleries, she has exhibits, and will be at Booth 444 at the Home & Garden Show at the David L. Lawrence Convention Center March 8-17, 2002, with a new Kennywood poster. She works in her home studio, where the phone number is 412-921-2388.

“I like to paint nostalgia,” she said. “So many people reminisce when they see my work. It makes them happy. Its my way of reaching people.”

“The Phantom of Lost Kennywood” Latest in Series by Linda Barnicott

Green Tree Times , July, 2001
by Sarah Zablotsky

The beige carpet in Linda Barnicott’s Green Tree studio is streaked with the colors of her pastel collection. An easel holding an unfinished work sits in the corner under a portrait of her father. But it is Barnicott’s vivid scenes of Pittsburgh and Kennywood hanging on the wall that immediately attract the visitor’s attention. “I like doing a painting where people get lost in it. They can look at it, walk away, and then come back and look at it again, ” she said.

That is the exact effect that Linda has created in latest work, “The Phantom of Lost Kennywood”. Part of “The Wonder of Kennywood” series, the new scene is a view of the park from atop the Pittsburgh Plunge. The Steel Phantom is shown in its original form with Lost Kennywood in the foreground. The Edgar Thompson Works and the Westinghouse Bridge are seen in the background.

“I do a lot for the sake of composition. Sometimes I don’t know why I do things in a painting. It’s so inbred,” she said

Linda first began her portraits of Pittsburgh in 1989 when she painted the now famous “Meet Me Under Kaufmann’s Clock”. She began painting Kennywood scenes in 1995. For all of her works, Linda begins with photographs of her subject matter, in this case, the Phantom’s original loops. “I was in a cherry picker 60 feet up taking pictures. It was the only way to do it.” She said.

From the pictured, Linda slightly arranges objects until she finds the right composition. “Because I work with chalk and pastels, I can’t paint outside. I work with the composition I like best,” she said.

The artist credits her ability to create memory triggering scenes with her experience in sketching personal portraits. She has heard many stories from those touched by her work and over the years has accumulated files of the cards and letters that she has received. Linda said that she keeps them all. “I used to do one portrait for one family. Now I do a portrait for a thousand families or several thousand families.” She said.

Linda is also known for her scenes of Pittsburgh which have appeared in the American Cancer Society’s Holiday Print Series. Her 2001 sketch is still untitled but will be finished in July. It will depict Grant Street at Christmas with the USX building and a streetcar in the background.

Linda lives in Green Tree with her husband and two daughters. She will be at Kennywood during Victorian Days, June 29 to July 5, to autograph copies of her works. She plans to continue painting Kennywood scenes, possibly a series of vignettes. “I’ve heard so many stories about great memories people have about the park,” she said. “I like that I’m able to paint memories for people.”

Pittsburgh City Council Proclamation

Passed in Council, May 23, 2000
Sponsored by Councilman Alan Hertzberg

WHEREAS, artist Linda Barnicott has been greatly embraced by the art community and general public of Pittsburgh for the many nostalgic heartwarming scenes she captures; and

WHEREAS, since 1975 she has enjoyed a career as a portrait artist, and since 1989 she has produced limited-edition prints and is currently working in a studio at her home in Greentree Borough; and

WHEREAS, in 1996 she was selected to be the official artist of the 1996 Pittsburgh Three Rivers Regatta, producing a painting titled “Ya Gotta Regatta”; and

WHEREAS, she began capturing scenes of Pittsburgh sites that include the landmark Kaufmann’s Clock, Market Square, the Cathedral of Learning, a panoramic view of Pittsburgh from Mt. Washington and a wonderful series of Kennywood Park scenes, all of which are limited-edition prints, and since Linda began primarily as a portrait artist, each of her paintings include family members and friends somewhere, and she will proudly point them out; and

WHEREAS, in 1998 the American Cancer Society of Greater Pittsburgh commissioned Linda to create the painting used on their annual Christmas Card fundraiser, for which se produced “A Holiday Tradition”, a painting of Horne’s corner Christmas tree, of which 25,000 cards were printed and were sold out by the first week in November; and

WHEREAS, in 1999 Linda was again commissioned to produce the American Cancer Society of Greater Pittsburgh’s Christmas Card and created “Season’s Greetings from Station Square” of which 45,000 cards were printed and again sold out and she has again been commissioned to create the 2000 Christmas Card print; and

WHEREAS, as a retirement gift for Tom Jones, Executive Director of the West End Elliott Joint Project, the Board of Directors commissioned Linda to create a painting of Tom at the West End Gazebo, a project he was particularly proud of, the result is a wonderful picture of the Gazebo, with Tom walking his dog and many people he had worked with enjoying a stroll near the Gazebo.

NOW, THEREFORE, BE IT RESOLVED, that the Council of the City of Pittsburgh CONGRATULATES Linda Barnicott on her TREMENDOUS contribution in capturing and preserving many sites in and around the Pittsburgh Area.